How To Shrink A Cardigan

Agave / Aperitifs

Agave Bistrot Library

&

Roberta Quintana

have

JAZZY APERTIF

FRIDAY, March 30

19:00 to 22:00 h

tasting Mediterranean food and wines of South

selector Chef Roberta Quintana

sound installations Mario B. FreeformJazz - http://www.freeformjazz.it/

MENU ':

mallureddu with strips of squid capers and olives sheet of sea bass with tomato and basil chopped ginger octopus octopus salad with dried tomatoes, arugula and mint eggplant caponata

In combination with a glass of Syrah or
Fiano (wine Mandrarossa)

€ 16.00 (reservations appreciated)

Capillaries All Over Legs

AGAVE / presentations
TUESDAY 'March 20, 2007, 19:30

Stefano Chiodi, Andrea Cortellessa and Tano D'Amico will
Agave guests to present
Dossier Settantasette
by Stefano Chiodi and Andrea Cortellessa
project content
The Coffee illustrated
Bimonthly of words and images
Directed by Walter Pedulla
No 34, January / February 2007

(...) So to us, veterans and for age reasons we can not really define, it occurred to me that we must look with different eyes in that year of thirteen months (February-March of the occupations' 78: Via Fani, Lent, which put an abrupt end to all Carnival). By moving his eyes from the lead - not at all wanting to lighten the burden, of course - the thousand colori di artisti e scrittori, appunto: in una rivoluzione che fu essenzialmente linguistica ( W la retorica , recita ironico uno dei graffiti fotografati da Renato Donati sui muri dell’Università di Bologna: prezioso giacimento di immagini qui per la prima volta a stampa). Questo duplice fronte di intervento, politico e linguistico, era del resto esplicitamente teorizzato dai gruppi che predicavano la trasformazione dal basso, a partire appunto da una rivoluzione delle forme, della comunicazione, dei linguaggi.
(…) In questo e in un prossimo numero della rivista, con le immagini e le parole di artisti di allora e di oggi – Tano D’Amico, fotografo-poeta che nelle sue immagini seppe tenere insieme la violence and its inverse Scabia Giuliano, poet-theatrical that "soul" of invention and fantasy colors in the streets of the Bologna - will try to tell, then, a story in any way different.
(Stefano Chiodi and Andrea Cortellessa, the article of presentation of the draft contained in <> 34 January / February 2007)

Retractable Projector Mounts

weekend appointments to
AGAVE Agave / tastings gourmet
is proud to host
Friday, March 16, 2007, from 19 hours
tasting with gourmet organic farm

"The Wedge" (Val d'Orcia)
www.lospicchio.com
cost of the tasting gourmet € 16 (excluding wine)

AGAVE / MUSIC

is proud to host

Saturday, March 17, 2007, at 22
CONCERT DUO
Two Bass Hit
Crinelli Simone - Baritone Sax
Vincenzo Florio - Bass
The Two Bass Hit duo propose a new interpretation of the songs that marked an epoch in the history of jazz. The years 1935 to 1945 in fact saw the explosion of the swing (with the presence of soloists as Lester Young, Coleman Hawkins, Ben Webster) and the birth of bebop (Charlie Parker who has raised a landmark of modern jazz and more those years). The duo will perform jazz standards of the most-played by soloists of the Swing Era, drawn from the great American tradition of the musical, which gave prestige composers like George Gershwin, Cole Porter, Irving Berlin, Harold Arlen, Jule Styne.

Simone Crinelli student of Maestro Gianni Oddi, perfect jazz training under the guidance of the American pianist Barry Harris, the saxophonist Steve Grossman and B. Pierce Clinics at Berklee. E'membro Italian Jazz Orchestra directed by Maestro Gerardo Di Lella. In 2005 he won the audience award at the national competition for soloists jazz "Massimo Urbani". Collaborates with the Orchestra of Piazza Vittorio by Mario Tronco. He played, among others: Jimmy Cobb, Tullio de Piscopo, Luis Bacalov, Rosario Giuliani, Gege Munari

Vincenzo Florio bassist, one of the most active on the Italian jazz scene, has among its many those collaborations with artists of the relief of American saxophonist Steve Grossman, the trumpeter Eddie Henderson, George Garzone (one of the most important American musicians and teachers), Dave Binney, Maurizio Giammarco. And 'member Daniel Tittarelli quartet, which produced records and performed throughout Italy.

Chest Pain When Leaning Back

AGAVE / EXPO
is pleased to invite

inauguration of the photographic exhibition

everyday gestures
photographs submitted by Sveva Bellucci
a written Carola Susani

Saturday, March 10, 2007 19:00


The happy eternity of daily
(Carola Susani)

When I picked up the first Once, while returning home after a tiring day, pictures of Sveva put me joy. Certainly they were the colors that are full, barely exaggerated loads. The colors of the beginning of the world, but that the world is not started are gone, so we find them in a lock, a bunch of fags and a remote control in our daily lives. Colors that do not subside at all, even bring euphoria. Colors that do not explode, they define their boundaries accurately. Trimensionali colors, which are forms. Forms that emerge from the flow of daily time. But do not emerge as subtracted images for a moment the flow, but as monuments. As if time had already stopped. Or she could stop at any time. As if it were to stop at every moment in our power. Swabian stops time a monument gestures. There are a lot of hands in these photos. The hands, the objects held by the hands, are at the center of the photographs. I've never sguincio picture, anything that is important is left in the periphery of the frame. It 's so that Sveva produces this sense of eternity, by subtracting the movement, concentrating. Even the hand that draws children moving the impression that you draw circles forever. The objects in these pictures all have the same weight, the same value: that is the paper the comb, the remote, there is no hierarchy among these objects. Apply because they relate to the hands, the important is in the report, these objects in relation to the bodies, one photo after another, are the shape of our lives. Nothing frightens the life of each object and regains it changes direction. Photos are beautiful, pleasing, glossy. All these beautiful colors and shapes as if playing with advertising. We feel behind an amused smile. The sense of the joke seems to me something like this: you, advertising, isolate the beauty around a desire, an object that lacks a way of life toward which I strive for, but I tell you you're wasting your time, you see, I have everything in my life, the desire is already fulfilled, you prove it: see, I just look at life from the perspective that I have che tu ti ostini a usare per quello che mi manca.


La mostra fotografica rimarrà aperta fino al 18 aprile 2007