Euro Steam Model 4488

AGAVE productions / in collaboration with
Mediterranean
Intercontinental Festival of Literature and Arts
"The 60s: the decade that changed the world"
V 2008 edition
www.allegorein.org
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Monday, June 23, 2008, 19:00

philosophers compared
Fabrizia Giuliani and Caterina Botti
talk around the theme of motherhood
from book Caterina Botti
" Madri cattive - una riflessione
su bioetica e gravidanza ”
Il Saggiatore 2007

Caterina Botti , filosofa, insegna Etica delle donne presso l'Università di Roma "La Sapienza". E' impegnata da anni nella riflessione filosofica sulla morale e sulla bioetica, soprattutto in dialogo con il pensiero femminista. E' autrice di Madri cattive (Il Saggiatore, 2007) e Etica e Bioetica delle donne (Zadig, 2000). Ha contribuito alla stesura del Dizionario di Bioetica (Laterza, 2002).

Fabrizia Giuliani è ricercatrice in filosofia del linguaggio. Ha studiato a Roma e negli Stati Uniti, ha tenuto courses in several Italian universities and in 2002 became a researcher at the University of Siena Foreigners. In 2007 she was transferred from the Faculty of Humanities in Rome, where he holds courses in Philosophy of Language and Linguistics and co-owner of the course of Gender Studies. In addition to numerous essays on philosophy, linguistics and women's studies published the volume Expression and ethos. The language in the philosophy of Benedetto Croce, released by the mill in 2002, is co-author of Stories of Feminists, philosophers came out loud with the Manifesto in 2003 and published the essay Something has changed on "New Topic" in 2006. Are you responsible for the volume: The logos in the polis. Diversity languages \u200b\u200band cultures, our identity, Arachne.

AGAVE for this event has made use of the valuable collaboration of CAROLA and ANGELA SUSAN Taraborrelli, who wishes to thank
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Thursday, June 26, 2008, 19:00

inauguration of the photographic exhibition

portraits of writers

Sveva Bellucci
From the time my artistic follows a well-defined. Addressing the newspaper.
took inspiration from this theme to portray twelve young writers. Starting from
places of their choice to write, their habits, their personal belongings from their everyday context, I intend to get to portray exactly what the reader does not see what is hidden behind the words. I will focus
every detail that will reveal whether a personality disorder with a desk, writing analog on a block that inevitably becomes digital, spread sheets, a pen and note where the most absurd of an idea.
The photographs of the triptych that I shall be a bit 'unusual one in the press as a short story in pictures, the geometry of the faces will be matched to objects and places dear to the writers themselves. I do not know the faces of most of them will be interesting to meet them, see them for the first time and choose the type of light that will feature more.
Sveva Bellucci

production Agave cultural association - by Ombretta Moschella

SVEVA BELLUCCI , professional photographer (Diploma of the European Institute of Design, Rome, 1990). He has worked in fashion (Milan, Rome 1990-1995), the still-life and portraits. Among the many catalogs that made mention to the jewelry collection Gentileschi, whose photographs were subsequently exhibited in a solo exhibition (Rome, December 2003). He approaches the Report in 2001, with a series of portraits of peasants from the invasion of Arneo veterans, in Salento, in Puglia. In 2001 he undertook a photographic project (10x optical bench 12 cm) on the passage of the Tiber River in the city of Roma.Nel 2002 he made a report on the island of Zanzibar Zanzibar for his solo show '02 (Trento, February 2004, Rome, June 2005) . In 2006 he began a personal research on everyday life, leading to project implementation: empty space, in April 2006, proposed to "Moi de la Photo à Montréal 2007," Those who stay in August 2006, a series of portraits documenting the domestic reality di coloro che restano in città durante il periodo delle vacanze estive. Nel marzo 2007 mostra personale Gesti quotidiani, Agave, Roma.Nel novembre 2007 realizza l’esposizione prodotta dal Teatro A. Rendano di Cosenza, L’officina delle marionette in concomitanza con l’Opera ‘La bella dormente’ di O. Respighi, regia di L. Ferlazzo- Natoli.Nel dicembre 2007, inizia la collaborazione con Maurizio Mochetti, per la realizzazione delle fotografie delle sue opere: L’ombra della sera, galleria Oredaria, Roma.Nell’aprile 2008 partecipa al Festival Internazionale FotoGrafia di Roma con l’esposizione Il dettaglio di un gesto. Collabora come fotografa Freelance con la rivista settimanale “D di Repubblica”. Vive e lavora a Roma.

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lunedì 30 giugno 2008 ,
ore 19.00
reading
di Caterina Deregibus
da “ Rap di Punt ” di
Cristina Ubax Ali Farah
+
interventi musicali di
DJ KOKOB
+
Cocktail Party a cura di
Francesca Corona

per questo appuntamento AGAVE si è avvalsa della preziosa collaborazione di ROMANO BERE’ , che ringrazia di cuore

DeRegibus CATHERINE was born in Casale Monferrato (AL). He studied philosophy and attended the School of the Teatro Stabile di Torino. In '96 he made his debut in That Awful Mess on the Via Merulana Gadda, directed by Luca Ronconi. He debuted in cinema with a short film by Paolo Sorrentino's love has no boundaries, working with Anthony Minghella on The Talented Mr. Ripley and participates in his first Italian feature film, The Return of Bond Claudio. In 2001 he was awarded Best Actress at the Festival of Buger, Mallorca, star of the short film "Venus, Quirino, Ubaldo and Matilda" by Michele Carrillo. In 2004, plays Helena in project "Iliad" by Alessandro Baricco. From 2005 to 2007 working on texts and roles that allow her to explore her African origins: Flowers of the Red Sea-Flower of Sheba, Rapdipunt Ubax Cristina Ali Farah and I woman's immigration Valentina Mmaka Acava. Work with Carrie Mae Weems and Theo Eshetu, video artists of African descent in the video "Italian Dream" and "Tales of the Mandala." With "Medea" by Euripides, directed by Fabio Sonzogni Theatre, manages to combine his personal research subversive expressive force of Greek tragedy, getting good reviews. Meanwhile, he moved to Rome, where he now lives.
UBAX CRISTINA ALI FARAH was born in Verona Somali in 1973 by father and Italian mother. She lived in Mogadishu (Somalia) from 1976 to 1991, when it was forced to flee because of civil war in the country. She moved for a few years in Pécs, Hungary, and later in Verona. Since 1997 he lives permanently in Rome, where he graduated in Literature from the University La Sapienza. Foundation is moving ahead with a letter of 27 research project to collect and process the original texts, study materials and translations of poems and testimonies of women's lives from the Somali diaspora. It also collaborates with magazines and newspapers like the Chronicle of Rome's Republic, International, Judgement and Combonifem for which care the headings "Misdeeds your" and "Frontiers of voices." In Italy his stories and poems have been published in various anthologies and magazines. In 2006 he won the National Literary Competition Mother Tongue "at the International Book Fair of Turin. In spring 2007 he released "little Mother" his first novel, published by Frassinelli (Premio Vittorini 2008).
Francesco Corona was born in Rome in 1979. It was formed by mixing cocktails and university studies. After graduating from DAMS in Rome began working as an organizer of cultural projects at the PAV not forgetting some small incursions into the Roman bar.
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Wednesday 2 luglio 2008 ,
ore 19.00
Mario Desiati e Piero Sorrentino
presentano il libro di
Elisa Davoglio
Onore ai diffidati
Mondadori 2008

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venerdì 4 luglio 2008 ,
ore 19.00
reading
di Ingy Mubiay e Igiaba Scego
dal libro “ Amori bicolori ”
Laterza 2008
con un intervento critico/creativo di
Livia Apa
+
dj session a cura di
Maouka Sekou Diabate

sanbusi prepared and offered by the cultural ACSA

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Tuesday, July 8, 2008, from 19.00

poets read poets

Susan Cook opens the meeting by reading his stories
Rome in Black & White "/" Rome in black and white "

Maria Grazia Calandrone law Gertrud Kolmar and Marina Tsvetaeva translated (rewritten) by Antonella Anedda
Sara Davidovics law blessed hood marinetti e altre poetesse futuriste
Elisa Davoglio legge antonia pozzi e claudia ruggeri
Gaia Gubbini legge patrizia valduga e contessa de dia
Giovanna Marmo legge gaspara stampa e wislawa szymborska
Gilda Policastro legge ingborg bachmann e iolanda insana

Jonida Prifti legge suor juana inés de la cruz
Marilena Renda legge elisabeth bishop e antonella anedda
Lidia Riviello Law Luciana Frezza and Isabella Morra
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all meetings are by
OMBRETTA Moschella / AGAVE CULTURAL ASSOCIATION

Watchmurmur Of The Heart Online

AGAVE / Expo

Wednesday, June 4, 2008, 19:00

opening of the exhibition of works of pictorial
Emmanuel Lavallee
at which Emmanuel offer the public 30 minutes of his fantastic work clown

EMMANUEL LAVALLEE Emmanuel Home (cooking the crepes and pasta with pesto) astrologer, was born long ago but has not aged at all. He lives a bit 'like everyone else, successes and defeats, however, after having taught at the school of Clown Dimitri in Switzerland is formed at Jacques Lecoq in Paris, where he graduated. He created beautiful performances often linked to the world of clowns which, unfortunately, nobody remembers anything, either. The sister of William Shakespeare said: "He is really good, like my brother." The artist fully shares this noble thought.
the exhibition will remain on display until June 25, 2008 ________________________

AGAVE / Presentations

Thursday, June 12, 2008, 19:00

Maria Grazia Calandrone
Presents
Mani Padamadan one-way trip
New Magenta Editrice, 2007
http://www.nuovaeditricemagenta.it/
of
Dino Azzalin
"Do not you travel to decorate of exoticism and anecdotes like a Christmas tree, but because the way we plucked, there curries, we dry up, make us similar to those worn that stretch with towel a sliver of soap ... "Thus wrote the Swiss writer Nicolas Bouvier. And the fact that living matter is the volume that you are browsing. In modern notation travel, reading, minutes and diaries have been invaluable sources for Dino Azzalin, author of the popular diary of Africa, in the preparation of Mani Padamadan.
(...) The stories develop and intersect in different parts of the world: Italy, Europe, India, South America, Africa, Indochina, (...) the trip must consist not only of curiosity or nell'appagamento in overcoming fears, but especially in the revelation of human nature.

DINO AZZALIN was born in Pontelongo (Padova) in 1953. He has published three books with the publisher Crocetti of poetry: The rhythm disorders (1985), Desert (1994) and memory tests (2006 - Justin de Jacobis premium and Giuseppe Dessì 2007). In 1999, the tales of the street and consumed in 2001 Diary of Africa. He has traveled extensively in the South, working as a volunteer health. He founded the APA's Fund (Friends for Africa) which promotes oral health projects in low-income countries. He lives in Varese, where he practices the profession of medical practitioner. It 'a journalist and has worked for several newspapers and magazines.

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in the upcoming parliamentary and local elections
AGAVE is pleased to promote and host
Tuesday, April 8, 2008, from 19.30

meeting with

Letizia Cicconi
the head of the list of the Rainbow Left
HALL I
and
Giulia Rhone
Councillor for Culture of LAZIO REGION

on issues of territorial development and cultural and business

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AGAVE / expo
Saturday, April 12, 2008,

19.00

inauguration of the photographic exhibition

Il dettaglio di un gesto

Fotografie di Sveva Bellucci

Progetto per la VII edizione del Festival Internazionale di Fotografia di Roma

a cura di Maddalena Parise

Parte di una ricerca personale sul quotidiano che Sveva Bellucci porta avanti dal 2006 (con i due progetti Spazi svuotati e Quelli che restano ) questa nuova serie ne offre, in qualche modo, un punto di vista ravvicinato. Le fotografie che si presentano in occasione del tema Vedere la normalità per la VII edizione del Festival di Fotografia di Roma, sono dettagli di gesti e sono state volutamente scattate in un contesto “piccolo” come lo spazio “ristretto” dell’Isola di Ventotene. Concentrarsi su uno spazio ridotto ha permesso alla fotografa di “stare addosso” alle sue abitudini per esplorare non solo la quotidianità di un gesto, ma anche il posto specifico in cui questa si fa.
Sono fotografie a “distanza ravvicinata”, scattate in digitale, che si avvicinano così tanto alla normalità da trasfigurarla e costringerci a guardare ciò che non siamo abituati a vedere: il rigonfiamento di una camicia senza corpo o l’acqua diventata molecola sulle pieghe del nuotatore. Realizzate con un teleobiettivo, queste fotografie Colgate, by far, the composure of gestures that seem to have posed for the shot, they realize the paradox of photos "stolen" and "cutlery" at a time, combining the artifice with the document, with the opportunity staging. These were photos that at first sight exclude the movement, ice, almost to highlight the two-dimensionality of the gesture and its design, but at the same time that they leave, the excess of one color or the folds of fabric, slip out of life they are made.
format Polaroid photographs evokes the 8.8 x10, 7cm which the photographer, magnification, observes its proportions. The allusion to the characteristic size, draws so that the amateur snapshots, ready to be watched.

the exhibition is open until May 2, 2008
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AGAVE / expo

Saturday, May 3, 2008, 19:00

inauguration of the photographic exhibition
Beyond East Naples

Photography Cinzia De Nigro

Project the Seventh Annual International Photography Festival of Rome
by Maddalena Parise

Quest '"investigation" photo from Naples East. It is an investigation done in three phases. Triptychs of photographs taken as long interviews to the city and its waste. Three points of view: moved details, large spaces, faces. First
waste. Heaps of bags and details of container flow in front of the camera to 1 / 15 of a second. A shutter speed is a necessity and a choice of style at the same time. A long time making it visible through the blur, a time otherwise, that you stole that journalistic investigation into the gaps, fast, digital, without the ability to stop and choose the "nice shot". But it is also the time property of a daily abnormal remains stuck on each day that passes and that the photographer seems to stir with his shots. The image is formed slowly (1 / 15 sec.) Transforms those bags and their colors, making them almost unrecognizable, revealing the unreality that they should be.
The second appointment is made by the city. The shot widens roads and buildings that seem to have lost their colors, as if they were private or contaminated by the wastes. Through the provision of post-production photographer discolor the image of the city - which seems to bleaching - or it unbelievably saturated tones isolating a few colors icy.
the presence of mixed waste to the city and deformed in its color, then joins the contrast of the sharpness of those who oppose it. The photographer is continuing its investigation meeting those smiling faces that resist destruction, those wrinkled hands that seem to imprison the same plastic the outline of which escaped the lens. Portraits sharp in every detail that will resist with their "strong" clarity, moved them to the magma invades.

the exhibition is open until May 25, 2008